Action in England
For those looking at this for the first time, this Blog was initiated because of an American production of 'Beowulf' - www.princeofthegeats.com
If you start at the earliest post a history of this issue will unfold.
If you want to see a film that does some justice to 'Beowulf' we suggest you check out:
www.beowulfandgrendel.com
This Blog has just been linked to the Action in England site, so thanks to Val for that.
www.ActionInEngland.gb.com
The American Beowulf as you'd expect tramples on virtually every aspect of the scholarship related to this North seas cultural treasure. Americans invariably seem to think that truth is subordinate to their particular socio-political agenda.......Graham Greene warned us about idealistic white middle class Americans who want to do 'good' in the world!
The fact is that it has been a huge task to reconstruct the early Anglo Saxon period and this area of history is still one o fthe least well known in the world, despite literally thousands of books and papers now having been written. What is so offensive is how director Scott Wegener persists in demanding we accept his ignorance as being the 'truth'. He for example claims there is no historical basis for 'Beowulf' and yet the Geats and even relations of the central character are known historical figures. He seems unable to comprehend the notion, that although the story is mythologised and contains mythic elements - the result of elaboration over many years of its oral rendering - the basis of the story involves real people, much like the Illiad of Homer.
So in his mind casting an African as Beowulf is no problem even though the tale is clearly intended as a parable about idealistic notions of hereditary Germanic kingship. He place sit in the 'viking' period, even though this is incorrect by centuries, and seemingly can not conceive that the Angles Jutes and Saxons, whose descendants first wrote down 'Beowulf', came from the area we now know as Scandinavia and Germany. His letters reveal a complete lack of any actual study of his chosen topic.
His motivation is to raise money for Afro American cancer related issues although he never states exactly how this money would be used, or how using a distinctly North Seas epic would resonate with Afro Americans. Why he didn't decide to make a film that they could legitimately claim some ownership of is very puzzling. For all his cries of 'racism' directed towards his critics perhaps Scott is secretly afraid that in reality he is the 'racist'........afterall he obviously knows so little about, and cares so little about Afro Americans, that he ccouldn't even think of a film idea that was based upon some aspect of their history and culture! How about a film about Sergio Oliva ? That would be something black people could have some pride in, and ownership of. And the funny thing is because Oliva is a decent man he would be the last person to use cheap cries of 'racism' to silence critics.
Look him up on Google Scott!
If you start at the earliest post a history of this issue will unfold.
If you want to see a film that does some justice to 'Beowulf' we suggest you check out:
www.beowulfandgrendel.com
This Blog has just been linked to the Action in England site, so thanks to Val for that.
www.ActionInEngland.gb.com
The American Beowulf as you'd expect tramples on virtually every aspect of the scholarship related to this North seas cultural treasure. Americans invariably seem to think that truth is subordinate to their particular socio-political agenda.......Graham Greene warned us about idealistic white middle class Americans who want to do 'good' in the world!
The fact is that it has been a huge task to reconstruct the early Anglo Saxon period and this area of history is still one o fthe least well known in the world, despite literally thousands of books and papers now having been written. What is so offensive is how director Scott Wegener persists in demanding we accept his ignorance as being the 'truth'. He for example claims there is no historical basis for 'Beowulf' and yet the Geats and even relations of the central character are known historical figures. He seems unable to comprehend the notion, that although the story is mythologised and contains mythic elements - the result of elaboration over many years of its oral rendering - the basis of the story involves real people, much like the Illiad of Homer.
So in his mind casting an African as Beowulf is no problem even though the tale is clearly intended as a parable about idealistic notions of hereditary Germanic kingship. He place sit in the 'viking' period, even though this is incorrect by centuries, and seemingly can not conceive that the Angles Jutes and Saxons, whose descendants first wrote down 'Beowulf', came from the area we now know as Scandinavia and Germany. His letters reveal a complete lack of any actual study of his chosen topic.
His motivation is to raise money for Afro American cancer related issues although he never states exactly how this money would be used, or how using a distinctly North Seas epic would resonate with Afro Americans. Why he didn't decide to make a film that they could legitimately claim some ownership of is very puzzling. For all his cries of 'racism' directed towards his critics perhaps Scott is secretly afraid that in reality he is the 'racist'........afterall he obviously knows so little about, and cares so little about Afro Americans, that he ccouldn't even think of a film idea that was based upon some aspect of their history and culture! How about a film about Sergio Oliva ? That would be something black people could have some pride in, and ownership of. And the funny thing is because Oliva is a decent man he would be the last person to use cheap cries of 'racism' to silence critics.
Look him up on Google Scott!
